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1300 Years of Tradition "Oshima Tsumugi" on the Brink - What kay me Wants to Share

1300 Years of Tradition

Hello, this is Junko Kemi, CEO & Founder & Lead Designer of kay me.  

Today, I’d like to share not a “new collection” announcement, but an important message about the future of Japanese craftsmanship. 

 

■ A World-Class Textile, “Oshima Tsumugi,” Faces Extinction

Oshima Tsumugi has been woven for over 1,300 years on Amami Oshima Island.  It is one of the world’s most intricate and technically demanding textiles.

And yet today, its production has fallen to less than 1% of its peak - only around 2,000 bolts a year. 

The reasons are clear: 

- 37 highly complex processes, taking over a year to complete 

- Only a handful of artisans capable of executing each step 

- An urgent and growing fear in the industry: 

“If nothing changes, Oshima Tsumugi will truly disappear.” 

Still, the younger generation of artisans in their 30s and 40s is working tirelessly to keep this tradition alive. 

Each visit to Amami Oshima has made me feel the gravity of this crisis even more deeply.


■ Why kay me Decided to Act

- When Japanese manufacturing falls to 1%, skills and opportunities must be protected 

Since its founding in 2011, kay me has produced 100% made-in-Japan items.

Yet Japanese apparel manufacturing has already dropped to 1% of domestic distribution. Sewing, dyeing, weaving, material development - the techniques that once defined Japan’s craftsmanship are quietly disappearing.  Oshima Tsumugi is a symbol of this problem.

Preserving these techniques for the future is core to kay me’s mission.  

That is why we launched this Cultural Inheritance Project. 

 

■ Reimagining Oshima Tsumugi as “Wearable Art for the Modern Woman” 

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So we asked ourselves:

Is true preservation not only about protecting tradition,

but evolving it into forms that can live in the future?

With this in mind, we:

- Recreated traditional Oshima Tsumugi motifs through print dyeing,

- Transformed them into stretch, washable, no-iron dresses,

- Designed for modern, active women.

The iconic patterns such as Tatsugo and Akina Bara reinterpret Amami’s nature and classical motifs as contemporary wearable art.

 

■ Special Items Made with “Authentic Oshima Tsumugi” Fabric 

We also created limited-edition accessories using genuine Oshima Tsumugi: 

Belts crafted from authentic woven Oshima Tsumugi 

Elegant shirt bow-ties 

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Upcycled card cases made from precious offcuts  

These items were developed collaboratively with local artisans - modern, functional items that help expand demand beyond kimono, and pave the way for global recognition of the craft. 

 

■ A Portion of the Proceeds Will Support “Artisan Training & Successor Development” 

Part of the revenue from this project will be donated to the Oshima Tsumugi Artisan Recruitment and Training Program. 

We have received official support from: 

  • The Amami Oshima Tsumugi Cooperative 

  • The Mayor of Amami City 

  • The Mayor of Tatsugo Town 

  • Development Bank of Japan (DBJ) 

A young weaver I met on the island, Ms. Sarasa, said words I will never forget:

“To weave is to carry the future.  If we do not continue, the technique ends with us.” 


■ The Piece You Wear Helps Create the Future  

Wearing Oshima Tsumugi motifs means wearing the continuity of Japan’s beauty and craftsmanship. 

Each piece you choose: 

● Supports artisans’ work

● Helps pass skills to the next generation

● Contributes to the cultural future of Amami Oshima 

In other words, your choice becomes a direct investment in the future. 

 

■ In Closing 

This collection is one of the most meaningful projects in kay me’s history created not “for ourselves,” but for the future. 

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We hope you can feel the presence of Amami’s sea and sky, and the spirit of 1,300 years of craftsmanship woven into every piece. Most of all, we hope you will carry this tradition forward through the generations - simply, through your everyday life.  

 

Junko Kemi

CEO & Founder & Lead Designer, kay me